Saul Levine Movies

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

On 9/11/2005, Mark Lapore took his own life. I first met Mark at SUNY Binghamton in the fall of 1973, when I took my film production class. Over the...

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

A short video in which Levine, facing a crescent moon, remembers Marjorie Keller telling a dream she had with her female friend, also a film...

Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces. My birthday is November, 3, so...

Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations. Appearances by obsessive birds,...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

Shot on a farm in Friendsville Penn. where Saul lived in a trailer with Dan Barnett; shot from the same spot over the course of several Fall weeks, a...

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

S8mm, b&w/si, (18 fps)

Stan Brakhage with a movie camera. Winter seascapes.

A small apocalypse prophecy on the threshold of disaster world/home